as already mentioned, skull crystal It captured the audience most likely to spend disposable income on going to movies in 2008. But even the 13- to 25-year-olds now range from 28 to 40, and the youngest audience members who saw the original Indy movie, Raiders of the Lost Ark, they pay at least 50 today. Indiana Jones has always been an old-fashioned character, bringing nostalgia to movies and series from the childhoods of Steven Spielberg and George Lucas. But when their generation ceased to be parents of children watching Indiana Jones, and Indy ceased to resemble those children’s grandparents, and instead became something of a calling to the (or older) grandparents, it’s worth considering if something has been lost over the years.
Tracking its opening weekend seems to prove it. according to Delivery time42 percent of Indiana Jones and the Dial of DestinyIts opening weekend crowd was over the age of 45. That would be a problematic number even before the COVID-19 pandemic made large numbers of the 50-plus crowd seem out of reach unless the movie star Tom Cruise. for context, 48 percent to Guardians of the Galaxy Vol. 3was an audience under age 25, with the oldest demos being between the ages of 18 and 34, making up 58 percent of the audience. Meanwhile 61 percent of Spider-Man: Through the Spider-VerseHis audience ranged from 18 to 34 years old. This movie is indeed the best performing movie of the year with Gen-Z (young people ages 11-26).
In other words, Indy’s most loyal audience is seniors, and as when WB marketing asked audiences if they remember growing up with Michael Keaton as Batman, many Gen-Zers, younger millennials, and literally ignoring kids. In a vision, Ford wears a fedora one last time. It seems that many did not see him put it on the first time.
When contextualized with the rest of the industry, it’s fair to ask whether audiences have reached a tipping point from being inundated with films aimed at our nostalgia — or at least the nostalgia of those who grew up in the ’80s or shortly thereafter in the ’90s. Keep in mind that the end of Ford’s original Indiana Jones trilogy and Keaton’s debut as Batman both came out in 1989. Someone born in that year would soon be 35.
Meanwhile, Disney’s kitchen sink approach to exploiting ’80s nostalgia with the era’s most popular movie franchise – Star Wars – has run into notorious snags lately. It is fair to point out that developing Destiny asked It started back when Lucasfilm saw multi-billion dollar hits with Star Wars: The Force Awakens (2015) and Rogue One: A Star Wars Story (2016), both of which lean heavily on nostalgia for the original Star Wars trilogy. Damn, The Force Awakens It was marketed around Harrison Ford saying, “Chewie, we’re home.”
But by the end of that decade, and after three more Star Wars films in consecutive years, the fan base was deeply divided over the quality of the new films, culminating in a deeply hated film. Star Wars: The Rise of Skywalker (2019), which also grossed a staggering 50 percent less than the $1 billion gross The Force Awakens Just four years ago. Disney and Lucasfilm are currently pivoting to produce Star Wars content exclusively for Disney+ as a result, but that novelty appears to have worn off as well, with viewership numbers dropping dramatically between seasons one and three. The Mandalorian.